Graphic Novels at HMCPL

Fanfic, cosplay, cons, books, memes, podcasts, vlogs, OTPs and RPGs and MMOs and more—it’s never been a better time to be a girl geek. The Fangirl’s Guide to the Galaxy is the ultimate handbook for ladies living the nerdy life, a fun and feminist take on the often male-dominated world of geekdom. With delightful illustrations and an unabashed love for all the in(ternet)s and outs of geek culture, this book is packed with tips, playthroughs, and cheat codes for everything from starting an online fan community to planning a convention visit to supporting fellow female geeks in the wild.

Result of 7 years of scientific investigation into the effects that comic books have on the minds and behavior of children who come in contact with them. His ideas on the harmful effects created by media-induced violence resonate with those who are concerned by the searing of our cultural fabric. This book is recommended for teens and adults.

In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created--in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress--only to resurface with a crooked smile on its face in "Mad "magazine. The story of the rise and fall of those comic books has never been fully told--until "The Ten-Cent Plague." David Hajdu's remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority. When we picture the 1950s, we hear the sound of early rock and roll. "The Ten-Cent Plague "shows how--years before music--comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers. This book is recommended for teens and adults.

The comic book that teaches you how to read and write Japanese! This brand-new series from Manga University uses original comic artwork to teach readers how to identify and write the most common Japanese kanji ideographs. Volume 1 introduces 80 basic kanji that all Japanese schoolchildren are required to learn before entering the third grade. Subsequent volumes in the series will focus on more difficult kanji and kanji compounds. Each page features its own comic strip, kanji pronunciation guide, stroke order, and English explanations.

The second volume in an exciting new series from Manga University - using original comic artwork to teach readers how to identify and write the most common Japanese kanji ideographs - introduces 80 kanji that all Japanese school children are required to learn by the time they graduate from sixth grade. Each page features its own comic strip, kanji pronunciation guide, stroke order, and English explanations.

Manga University uses original comic artwork to teach readers how to identify and write the most common Japanese kanji ideographs. The third volume in the series features 80 kanji that students in Japan learn by the time they have completed the sixth grade.

The popular Kanji de Manga series continues with an all-new selection of 80 kanji geared toward English-speaking manga fans who want to learn how to read, write and speak Japanese. Original manga characters help students identify the most common kanji characters used in everyday Japanese. Includes definitions, pronunciations and sample compounds, all in a fun, friendly and familiar format.

The llustrated Kanji de Manga series continues with an all-new selection of 80 kanji geared toward intermediate learners of the language. Upon completion of this and the previous four volumes, students will have learned a total of 400 kanji, enough to prepare them for the advanced levels of the official Japanese Language Proficiency Test.

The fun, easy way to learn Japanese! The sixth volume in the award-winning Kanji de Manga series offers students 80 more kanji characters to explore and memorize. Manga artist Chihiro Hattori's funny, familiar drawings make it a breeze to remember kanji that are among the most common in everyday Japanese.

Packed with quizzes, sidebars, trivia, and more, this book reveals the science behind your favorite superheroes and supervillains and their ultracool devices and weapons, as well as other awesome technologies from the science fiction realm. This book is recommended for teens and adults.

Since 2001, James Kakalios has taught "Everything I Needed to Know About Physics I Learned from Reading Comic Books," a hugely popular university course that generated coast-to-coast media attention for its unique method of explaining complex physics concepts through comics. With The Physics of Superheroes, named one of the best science books of 2005 by Discover, he introduced his colorful approach to an even wider audience. Now Kakalios presents a totally updated, expanded edition that features even more superheroes and findings from the cutting edge of science. With three new chapters and completely revised throughout with a splashy, redesigned package, the book that explains why Spider-Man's webbing failed his girlfriend, the probable cause of Krypton's explosion, and the Newtonian physics at work in Gotham City is electrifying from cover to cover. This book is recommended for teens and adults.

The latest in the Overstreet line of -How To- books takes on the rapidly-expanding hobby of cosplay in The Overstreet Guide to Cosplay. Both newbies and seasoned veterans of the hobby will have plenty of opportunities to expand their cosplay knowledge with this book's topics, which covers everything from the most sensitive issues like -Cosplay is Not Consent- to fun, rainy day projects and much more! It features hundreds of cosplayer photos and a wide variety of cosplayers will be featured in gorgeous full-color spreads. This book is recommended for teens and adults.

Have you been trying to think of a way to conquer your local comic convention through cosplay? Do you gaze with envious eyes upon the fan-made suits of armored awesomeness strolling around every year on Halloween? Do you have a spot on your wall, bookshelf, or desk that desperately needs to be filled with a screen-accurate replica of your favorite science-fiction or fantasy weapon? If so, look no further. We've got just the book for you! In this book, master prop maker Shawn Thorsson uses his unique blend of humor and insight to turn years of painful experience into detailed explanations. He'll show you many of the tools, methods, and processes that you can use to create professional-looking science fiction and fantasy props and armor. The ultimate collision of creative imagination and practical maker skills, making props and costume armor involves sculpting, molding, casting, 3D printing, CNC fabrication, painting, and countless other techniques and technologies. This book is recommended for teens and adults.

Super Black places the appearance of black superheroes alongside broad and sweeping cultural trends in American politics and pop culture, which reveals how black superheroes are not disposable pop products, but rather a fascinating racial phenomenon through which futuristic expressions and fantastic visions of black racial identity and symbolic political meaning are presented. Adilifu Nama sees the value--and finds new avenues for exploring racial identity--in black superheroes who are often dismissed as sidekicks, imitators of established white heroes, or are accused of having no role outside of blaxploitation film contexts. Nama examines seminal black comic book superheroes such as Black Panther, Black Lightning, Storm, Luke Cage, Blade, the Falcon, Nubia, and others, some of whom also appear on the small and large screens, as well as how the imaginary black superhero has come to life in the image of President Barack Obama. Super Black explores how black superheroes are a powerful source of racial meaning, narrative, and imagination in American society that express a myriad of racial assumptions, political perspectives, and fantastic (re)imaginings of black identity. The book also demonstrates how these figures overtly represent or implicitly signify social discourse and accepted wisdom concerning notions of racial reciprocity, equality, forgiveness, and ultimately, racial justice. This book is recommended for teens and adults.

The Sandman was a groundbreaking and award-winning series that told the dark and tragic tale of Morpheus, the King of Dreams. A fascinating mythology of horror and consequence, this epic masterfully combined intriguing literature with captivating art. THE SANDMAN COMPANION is an exhaustive guide to this legend. Revealing hitherto undisclosed information and behind-the-scenes secrets, this book features in-depth interviews, never-before-seen illustrations, character origins, and story explanations and analysis. Also including excerpts from the original proposal for the series, this handbook is the perfect complement to the Sandman graphic novels.

Marvel is one of the hottest media companies in the world right now, and its beloved superheroes are all over film, television and comic books. Yet rather than simply cashing in on the popularity of iconic white male characters like Peter Parker, Tony Stark and Steve Rogers, Marvel has consciously diversified its lineup of superheroes, courting controversy in the process. Panthers, Hulks, and Ironhearts offers the first comprehensive study of how Marvel has reimagined what a superhero might look like in the twenty-first century. It examines how they have revitalized older characters like Black Panther and Luke Cage, while creating new ones like Latina superhero Miss America. Furthermore, it considers the mixed fan responses to Marvel’s recasting of certain “legacy heroes,” including a Pakistani-American Ms. Marvel, a Korean-American Hulk, and a whole rainbow of multiverse Spidermen. If the superhero comic is a quintessentially American creation, then how might the increasing diversification of Marvel’s superhero lineup reveal a fundamental shift in our understanding of American identity? This timely study answers those questions and considers what Marvel’s comics, TV series, and films might teach us about stereotyping, Orientalism, repatriation, whitewashing, and identification.

741.5097 - History of North American comic books. By the author of The Comic Book Heroes, Killing Monsters, and scores of successful comic books and screenplays, Men of Tomorrow is the first book to tell the surprising story of the young Jewish misfits, hustlers and nerds who invented the superhero and the comic book industry. Among the characters in this vibrant panorama: · Jerry Seigel and Joe Shuster, the goofy myopic creators of Superman, who sold the rights to the Man of Tomorrow for $130 to…· Harry Donenfield, former pornographer and con-man, and his partner, Jack Liebowitz, founder of DC Comics, who went on to help build Steve Ross's legendary Warner Communications· Batman's Bob Kane, who rose to fame and fortune in a career based entirely on lies and self-promotion· Mort Weisinger, the ruthless editor of Superman, who suffered a nervous breakdown when he tried to be a superhero himself · Plus Stan Lee, founder of a new kind of hero, including Spider-man, at Marvel Comics; Will Eisner, whose creation "The Spirit" has become a cult classic, and many, many more. Springing unheralded out of working-class Jewish immigrant neighborhoods in the depths of the Depression, these young men transformed an odd mix of geekdom, science fiction, and outsider yearnings into blue-eyed chisel-nosed crime-fighters and adventurers who quickly captured the mainstream imagination. Within a few years their inventions were being read by 90% of American children and had spawned a new genre in movies, radio and TV that still dominates youth entertainment seventy years later. Drawing on exhaustive research, including interviews with friends and relatives of the creators, Jones reveals how the immigrant experience and the collision of Yiddish and American culture-forged in the crucible of two world wars-shaped the vision of the make-believe hero. He chronicles how the comics sparked a frightened counterattack that nearly destroyed the industry in the 1950's and how later they surged back at an underground level, to inspire a new generation to transmute those long-ago fantasies into art, literature, blockbuster movies and graphic novels. Animated by the stories of some of the last century's most charismatic and conniving artists, writers and businessmen, Men of Tomorrow brilliantly demonstrates how the creators of the superheroes gained their cultural power and established a crucial place in the modern imagination.

Writing and Illustrating the Graphic Novel "Everything you need to know to create great work and get it published. This book is recommended for teens and adults.

As broad as our exponentially growing cultural fascination with caped crusaders is, it runs just as deep as this long awaited anthology underscores. Liesa Mignogna the VP, Editorial Director at Simon Pulse and editor of this anthology can expound on the virtues of Batman (her wedding was even Batman-themed) but it's her retelling of incredibly harrowing yet ultimately inspiring encounters with The Dark Knight over the years, as she struggled to coexist with the supervillains in her own family that birthed this collection. Last Night, A Superhero Saved My Life gives readers the chance to connect to their beloved authors, while those same authors connect to their beloved superheroes, and within that feedback loop of respect and admiration lies a stellar, and phenomenally accessible, anthology full of thrills, chills, and spills. Contributors include New York Times bestsellers Christopher Golden, Leigh Bardugo, Brad Meltzer, Neil Gaiman, Carrie Vaughn, Jodi Picoult, and Jamie Ford, as well as award-winners and mainstays like Joe R. Lansdale, Karina Cooper, and Ron Currie, Jr among many others. Last Night, A Superhero Saved My Life's authors share their most hilarious and most heart wrenching experiences with their chosen defender to explain why superheroes matter, what they tell us about who we are, and what they mean for our future.

Everyone knows a Feiffer illustration when they see one: His characters leap across the page, each line belying humor and psychological insight. Over Feiffer’s prolific 70-year career, his nimble and singular imagination has given us new perspectives as well as biting satires on politics, love, marriage, and religion—alternating with stories imbued with the playful anarchy of a child. Feiffer’s varied output includes children’s books (The Phantom Tollbooth and Bark, George), plays (Little Murders), movies (Carnal Knowledge and Popeye), and comic strips (most notably in his Pulitzer Prize–winning Village Voice comic strip of 42 years). Out of Line: The Art of Jules Feiffer is the long-awaited illustrated retrospective of Feiffer’s celebrated career, providing a revealing glimpse into his creative process and his role as America’s foremost Renaissance man of the arts. This book is recommended for teens and adults.

741.5952 - How to draw comics. A look at how to draw realistic bodies and anatomy with examples and techniques. This book is recommended for older teens and adults.

741.5973 - History of American Comic Books. This book tells a group of intertwining stories that culminate in the historic 1947 collision of the Superman Radio Show and the Ku Klux Klan. It is the story of the two Cleveland teenagers who invented Superman as a defender of the little guy and the New York wheeler-dealers who made him a major media force. It is the story Ku Klux Klan's development from a club to a huge money-making machine powered by the powers of fear and hate and of the folklorist who--along with many other activists-- took on the Klan by wielding the power of words. Above all, it tells the story of Superman himself--a modern mythical hero and an embodiment of the cultural reality of his times--from the Great Depression to the present.

741.5973 - History of American Comic Books. Throughout this decades-long journey to becoming a multibillion-dollar enterprise, Marvel's identity has continually shifted, careening between scrappy underdog and corporate behemoth. As the company has weathered Wall Street machinations, Hollywood failures, and the collapse of the comic book market, its characters have been passed along among generations of editors, artists, and writers—also known as the celebrated Marvel "Bullpen." Entrusted to carry on tradition, Marvel's contributors—impoverished child prodigies, hallucinating peaceniks, and mercenary careerists among them—struggled with commercial mandates, a fickle audience, and, over matters of credit and control, one another. For the first time, Marvel Comics reveals the outsized personalities behind the scenes, including Martin Goodman, the self-made publisher who forayed into comics after a get-rich-quick tip in 1939; Stan Lee, the energetic editor who would shepherd the company through thick and thin for decades; and Jack Kirby, the World War II veteran who'd co-created Captain America in 1940 and, twenty years later, developed with Lee the bulk of the company's marquee characters in a three-year frenzy of creativity that would be the grounds for future legal battles and endless debates.

741.5973 - History of American Comic Books. Harvard historian and New Yorker staff writer Jill Lepore has uncovered an astonishing trove of documents, including the never-before-seen private papers of William Moulton Marston, Wonder Woman’s creator. Beginning in his undergraduate years at Harvard, Marston was influenced by early suffragists and feminists, starting with Emmeline Pankhurst, who was banned from speaking on campus in 1911, when Marston was a freshman. In the 1920s, Marston and his wife, Sadie Elizabeth Holloway, brought into their home Olive Byrne, the niece of Margaret Sanger, one of the most influential feminists of the twentieth century. The Marston family story is a tale of drama, intrigue, and irony. In the 1930s, Marston and Byrne wrote a regular column for Family Circle celebrating conventional family life, even as they themselves pursued lives of extraordinary nonconformity. Marston, internationally known as an expert on truth—he invented the lie detector test—lived a life of secrets, only to spill them on the pages of Wonder Woman.

A much-needed alternative history of American comic book superheroines—from Wonder Woman to Supergirl and beyond—where they fit in popular culture and why, and what these crime-fighting females say about the role of women in American society from their creation to now, and into the future. The Supergirls is an entertaining and informative look at these modern-day icons, exploring how superheroines fare in American comics, and what it means for the culture when they do everything the superhero does, but in thongs and high heels. Has Wonder Woman hit the comic book glass ceiling? Is that the one opposition that even her Amazonian strength can’t defeat? This book is recommended for teens and adults.

With back issues comics selling for prices ranging from pocket change up to seven-figure prices, understanding the marketplace has never been more important for buyers, sellers and collectors. Since 1970, The Overstreet Comic Book Price Guide has been the Bible for those looking to fully comprehend the back issue marketplace. In addition to the latest market reports, analysis, and prices, this year's edition celebrates the 75th Anniversary of Batman, takes a detailed look at rare Canadian comics, and inducts a new line-up of industry professionals into The Overstreet Hall of Fame.

The Bible of serious comic book collectors, dealers and historians marks its Golden Anniversary with The Overstreet Comic Book Price Guide #50, complete with new prices, new feature articles, new additions to the Overstreet Hall of Fame, new market report.

741.5973 - History of American Comic Books. Drawing on ten years of research in the trenches of Cleveland libraries, boarded-up high schools, and secret, private collections, and a love of comic books, Brad Ricca's Super Boys is the first ever full biography about Superman’s creators. Among scores of new discoveries, the book reveals the first stories and pictures ever published by the two, where the first Superman story really came from, the real inspiration for Lois Lane, the template for Superman’s costume, and much, much more. Super Boys also tracks the boys’ unknown, often mysterious lives after they left Superman, including Siegel's secret work during World War II and never-before-seen work from Shuster. Super Boys explains, finally, what exactly happened with the infamous check for $130 that pulled Superman away from his creators—and gave control of the character to the publisher. Ricca also uncovers the true nature of Jerry’s father’s death, a crime that has always remained a mystery. Super Boys is the story of a long friendship between boys who grew to be men and the standard that would be impossible for both of them to live up to.

SHE CHANGED COMICS celebrates the women who changed free expression in comics, with profiles of more than sixty groundbreaking female professionals and interviews with the women who are changing today's medium, including RAINA TELGEMEIER, NOELLE STEVENSON, G. WILLOW WILSON, and more! SHE CHANGED COMICS also examines the plights of women imprisoned and threatened for making comics and explores the work of women whose work is being banned here in the United States. A must for readers of all ages, students, and educators. This book is recommended for teens and adults.

A witty, intelligent cultural history from NPR book critic Glen Weldon explains Batman’s rises and falls throughout the ages—and what his story tells us about ourselves. Since his creation, Batman has been many things: a two-fisted detective; a planet-hopping gadabout; a campy Pop-art sensation; a pointy-eared master spy; and a grim and gritty ninja of the urban night. For more than three quarters of a century, he has cycled from a figure of darkness to one of lightness and back again; he’s a bat-shaped Rorschach inkblot who takes on the various meanings our changing culture projects onto him. How we perceive Batman’s character, whether he’s delivering dire threats in a raspy Christian Bale growl or trading blithely homoerotic double-entendres with partner Robin on the comics page, speaks to who we are and how we wish to be seen by the world. It’s this endlessly mutable quality that has made him so enduring. And it’s Batman’s fundamental nerdiness—his gadgets, his obsession, his oath, even his lack of superpowers—that uniquely resonates with his fans who feel a fiercely protective love for the character. Today, fueled by the internet, that breed of passion for elements of popular culture is everywhere. Which is what makes Batman the perfect lens through which to understand geek culture, its current popularity, and social significance. In The Caped Crusade, with humor and insight, Glen Weldon, book critic for NPR and author of Superman: The Unauthorized Biography, lays out Batman’s seventy-eight-year cultural history and shows how he has helped make us who we are today and why his legacy remains so strong.

An overview of the history of American comic books and how the art form as evolved over time and influenced popular culture. This book is recommended for teens and adults.

For the collectors, traders and millions of comic book aficionados--of every age--a one-stop, A-to-Z reference with information on the history and development of the American comic book. A vastly informative reference to one of America's--and the world's--best-loved art forms. A leading authority on comic strips and comic books, Goulart is the author of The Great History of Comic Books. 100 illustrations.

The comic book, whose large dimension provides the cartoonish with resources vastly greater than the severely restricted format of the daily comic strip, displays the artistry of the cartoon medium at its fullest potential.

1000 Comic Books You Must Read is an unforgettable journey through 70 years of comic books. Arranged by decade, this book introduces you to 1000 of the best comic books ever published and the amazing writers who created them.

In Making Comics, McCloud focuses his analysis on the comic art form itself, exploring the creation of the medium, from the broadest principles to the sharpest details (like how to accentuate a character's facial muscles in order to form the emotion of disgust rather than the emotion of surprise.) And he does all of it in his inimitable voice and through his cartoon stand–in narrator, mixing dry humor and legitimate instruction. McCloud shows his reader how to master the human condition through word and image in a brilliantly minimalistic way. Comic book devotees as well as the most uninitiated will marvel at this journey into a once under-appreciated art form.

Comic book collectors relive the Golden Days, as they recall their favorite childhood comic heroes in this sequel to All in Color for a Dime. This reprint from the 1973 Arlington House original sports a new introduction from Lupoff and Comics Buyer's Guide editor Maggie Thompson. The Comic-Book Book is an entertaining and evocative excursion into memory land and an important contribution to the study of pop culture.

No longer just kid's stuff, today's comic books are hip, contemporary entertaining and seriously collected. Here, in twenty original interviews, leading figures in the field discuss how, approaching the graphic novel from an often daringly radical taboo-breaking perspective, they transformed it into a significant medium - at once art and literature - of our popular culture. Every stage of the medium's evolution is represented here, from the underground "comix" creators of the 1960's to the giants of independent publishing today. Each interview is accompanied by a representative piece of art work that the rebel in question helped create, as well as a portrait of the interviewee by co-author Bissette, a comic book rebel himself (please see back flap). In their own words, these visionary creators tell their compelling and often outrageous stories of taking on an industry that at first disdained or even discouraged them, offering readers a rare opportunity to meet the forces behind the transformation of a whole art form.

Will Eisner is one of the twentieth century's great American artists, a man who pioneered the field of comic arts. Here, in his classic Comics and Sequential Art, he refines the art of graphic storytelling into clear, concise principles that every cartoonist, comic artist, writer, and filmmaker meeds to know. Adapted from Eisner's landmark course at New York's School of Visual Arts, Comics and Sequential Art is an essential text filled with invaluable theories and easy-to-use techniques. Eisner reveals here the fundamentals of graphic storytelling. He addresses dialogue, anatomy, framing, and many other important aspects of the art form. Fully updated and revised to reflect current practices and technology, including a section on digital media, this introduction to the art of comics is as valuable a guide as it was when first published.

How to Draw Noir Comics: The Art and Technique of Visual Storytelling is an instructional book based on the cinematic, high contrast noir style of acclaimed comic book and graphic novel illustrator, Shawn Martinbrough. Martinbrough’s work has been published by DC Comics, Vertigo and Marvel Comics, illustrating stories ranging from Batman to the X-Men. This is his first book, released through Watson-Guptill Publications and The Nielsen Company. In How to Draw Noir Comics, Martinbrough shows how the expert use of the color black is critical for drawing noir comics. He demonstrates how to set a mood, design characters and locations, stage action and enhance drama, and discusses important topics like page layout, panel design, and cover design. How to Draw Noir Comics includes The Truce, an original graphic novel written and illustrated by Martinbrough which incorporates the many lessons addressed throughout the book, and has an introduction by critically-acclaimed novelist Greg Rucka, author of the graphic novel Whiteout.

Entertaining Comics Group (EC Comics) is perhaps best-known today for lurid horror comics like Tales from the Crypt and for a publication that long outlived the company’s other titles, Mad magazine. But during its heyday in the early 1950s, EC was also an early innovator in another genre of comics: the so-called “preachies,” socially conscious stories that boldly challenged the conservatism and conformity of Eisenhower-era America. EC Comics examines a selection of these works—sensationally-titled comics such as “Hate!,” “The Guilty!,” and “Judgment Day!”—and explores how they grappled with the civil rights struggle, antisemitism, and other forms of prejudice in America. Putting these socially aware stories into conversation with EC’s better-known horror stories, Qiana Whitted discovers surprising similarities between their narrative, aesthetic, and marketing strategies. She also recounts the controversy that these stories inspired and the central role they played in congressional hearings about offensive content in comics. The first serious critical study of EC’s social issues comics, this book will give readers a greater appreciation of their legacy. They not only served to inspire future comics creators, but also introduced a generation of young readers to provocative ideas and progressive ideals that pointed the way to a better America.

The massive impact that comics have had on our culture becomes more and more clear every day, from the critically acclaimed musical Fun Home, based on Alison Bechdel’s groundbreaking comic, to the dozens of superhero films hitting cinemas every year. What is it that makes comics so special? What can this unique art form do that others can’t? In Why Comics?, comics scholar Hillary Chute reveals the history of comics, underground comics (or comix), and graphic novels, through deep thematic analysis, and fascinating portraits of the fearless men and women behind them. As Scott McCloud revealed the methods behind comics and the way they worked in his classic Understanding Comics, Chute will reveal the themes that Comics handle best, and how the form is uniquely equipped to explore them. This book is recommended for teens and adults.

The life stories of each man's personal struggles and triumphs are represented as they broke through into a world formerly occupied only by whites. Using primary source material from World War II-era Black newspapers and magazines, this compelling book profiles pioneers like E.C. Stoner, a descendant of one of George Washington's slaves, who became a renowned fine artist of the Harlem Renaissance and the first Black to draw comic books. Perhaps more fascinating is Owen Middleton who was sentenced to life in Sing Sing. Middleton's imprisonment became a cause célèbre championed by Will Durant, which led to Middleton's release and subsequent comics career. Then there is Matt Baker, the most revered of the Black artists, whose exquisite art spotlights stunning women and men, and who drew the first groundbreaking Black comic book hero, Vooda!

This comprehensive history of Japanese animation draws on Japanese primary sources and testimony from industry professionals to explore the production and reception of anime, from its early faltering steps, to the international successes of Spirited Away and Pokémon.

In 1965, a young, up-and-coming illustrator by the name of Edward Sorel tore away layer after layer of linoleum from the floor of his $97-a-month Manhattan apartment until he discovered a hidden treasure: issues of the New York Daily News and Daily Mirror from 1936, each ablaze with a scandalous child custody trial taking place in Hollywood starring the actress Mary Astor—and the journal in which she detailed her numerous affairs. Thus began a half-century obsession that reached its peak in Mary Astor’s Purple Diary, “a thoroughly charming” (New York Times Book Review, front-page review) account of the scandal in which Sorel narrates and illustrates the travails of the Oscar-winning actress alongside his own personal story of discovering an unlikely muse. Now in a stunning paperback, featuring more than sixty ribald and rapturous original illustrations, Mary Astor’s Purple Diary is the life’s masterpiece of one of America’s greatest illustrators.

With humor and the serious collector’s delight, Gary Jackson imagines the comic-book worlds of Superman, Batman, and the X-Men alongside the veritable worlds of Kansas, racial isolation, and the gravesides of a sister and a friend. This book is recommended for teens and adults.

Jack Kirby created or co-created some of comic books’ most popular characters including Captain America, The X-Men, The Hulk, The Fantastic Four, The Mighty Thor, Darkseid, and The New Gods. More significantly, he created much of the visual language for fantasy and adventure comics. There were comics before Kirby, but for the most part their page layout, graphics, and visual dynamic aped what was being done in syndicated newspaper strips. Almost everything that was different about comic books began in the forties on the drawing table of Jack Kirby. This is his story by one who knew him well—the authorized celebration of the one and only “King of Comics” and his groundbreaking work. This book is recommended for teens and adults.

The comprehensive biography of Stan lee, father of Spider-Man and The Avengers, beloved comicbook writer and editor, and former president and publisher of Marvel Comics, by Lee's colleague of over four decades. Stan Lee invented Spider-Man! And Iron Man! And the Hulk! And the X-Men! And more than 500 other iconic characters! His name has appeared on more than a billion comic books, in 75 countries, in 25 languages. His creations have starred in multibillion-dollar grossing movies and TV series. This is his story. Danny Fingeroth writes a comprehensive biography of this powerhouse of ideas who changed the world’s understanding of what a hero is and how a story should be told, while exploring Lee's unique path to becoming the face of comics. With behind-the-scenes stories and interviews with Stan’s brother Larry Lieber and other industry legends, The Marvelous Life has insights that only an insider like Fingeroth can offer. Fingeroth, himself a longtime writer and editor at Marvel Comics and now a lauded pop culture critic and historian, knew and worked with Stan Lee for over three decades. Due to this connection, Fingeroth is able to put Lee’s life and work in a context that makes events and actions come to life as no other writer could.

Stan Lee—born Stanley Martin Lieber in 1922—is one of the most beloved and influential entertainers to emerge from the twentieth century. He served as editor in chief of Marvel Comics for three decades and, in that time, launched more pieces of internationally recognizable intellectual property than anyone other than Walt Disney: Spider-Man, the Avengers, the X-Men, Black Panther, the Incredible Hulk, Iron Man, Thor... the list seems to never end. On top of that, his carnival-barker marketing prowess more or less single-handedly saved the comic-book industry and superhero fiction. Without him, the global entertainment industry would be wildly different—and a great deal poorer. But Lee's unprecedented career was also pitted with spectacular failures, controversy, and bitter disputes. Lee was dogged by accusations from his long-time collaborators Jack Kirby and Steve Ditko over who really created Marvel's signature characters—icons for whom Lee had always been suspected of taking more than his due share of credit. A major business venture, Stan Lee Media, resulted in stock manipulation, bankruptcy, and criminal charges. And in his final years, after the death of his beloved wife, Joan, rumors swirled that Lee was a virtual prisoner in his own home, issuing cryptic video recordings as a battle to control his fortune and legacy ensued.

This heavily illustrated biography features eye-opening — often outrageous —anecdotes about Warren, a larger-than-life figure whose ability as a publisher, promoter, and provocateur make him a fascinating figure. In addition to Forrest J. Ackerman’s Famous Monsters of Filmland, he published Help!, a magazine created by MAD’s Harvey Kurtzman, which featured early work by John Cleese, Gloria Steinem, Terry Gilliam, Robert Crumb, and Diane Arbus; Creepy and Eerie magazines, with covers by painter Frank Frazetta and comics art by Steve Ditko, Wallace Wood, Bernie Wrightson, Al Williamson, and many others. His most famous co-creation, the character Vampirella, debuted in her own magazine in 1969, and continues to be published today.