Erik Larson - 2016 Vive le Livre Speaker: Home

From Library Journal: "Larson, a business journalist, takes a somewhat paranoid look at how market researchers and giant databanks invade our privacy and compile vast amounts of information that could be used against individuals or groups. However, in spite of being studied like bugs, consumers still manage to confound the researchers. While Larson acknowledges that, if marketing campaigns were perfectly aimed, people would receive ads for products that they wanted, and that they might even welcome this attention, the effort to find these customers is viewed as sinister, because of the chance of the wrong people accessing the information. David Duke's candidacy is cited as an example of the danger. Larson also explores and deplores political pollsters' effects on elections. This title might interest both market researchers and the public because of its detailed accounts of ongoing research. It would have appeal in public libraries with business or consumer collections."
- Sue McKimm, Cuyahoga Cty. P.L., Cleveland
Copyright 1992 Reed Business Information, Inc.

From Library Journal:

"In this work, Larson interweaves the story of a boy and his gun (a 16-year-old who kills one teacher and wounds another with a member of the infamous MAC-10 family) with a study of the causes and effects of our gun-happy society. He admits that he has no problem with using handguns for sport or even as a last line of self-defense. But he goes on to propose a model bill calling for sweeping changes in laws governing the distribution, sale, and design of firearms. It's a pity that, by producing a reasonably balanced account of an incendiary subject, Larson will probably alienate both the pro- and antigun camps, and his bill, as he acknowledges, "doesn't have a chance in hell of being passed." Highly recommended nonetheless. Previewed in Prepub Alert, LJ 11/1/93"
- Jim Burns, Ottumwa, Ia.
Copyright 1994 Reed Business Information, Inc.

From Publisher's Weekly: "Torqued by drama and taut with suspense, this absorbing narrative of the 1900 hurricane that inundated Galveston, Tex., conveys the sudden, cruel power of the deadliest natural disaster in American history. Told largely from the perspective of Isaac Cline, the senior U.S. Weather Bureau official in Galveston at the time, the story considers an era when "the hubris of men led them to believe they could disregard even nature itself." As barometers plummet and wind gauges are plucked from their moorings, Larson (Lethal Passage) cuts cinematically from the eerie "eyewall" of the hurricane to the mundane hubbub of a lunchroom moments before it capitulates to the arriving winds, from the neat pirouette of Cline's house amid rising waters to the bridge of the steamship Pensacola, tossed like flotsam on the roiling seas. Most intriguingly, Larson details the mistakes that led bureau officials to dismiss warnings about the storm, which killed over 6000 and destroyed a third of the island city. The government's weather forecasting arm registered not only temperature and humidity but also political climate, civic boosterism and even sibling rivalries. America's patronizing stance toward Cuba, for instance, shut down forecasts from Cuban meteorologists, who had accurately predicted the Galveston storm's course and true scale, even as U.S. weather officials issued mollifying bulletins calling for mere rain and high winds. Larson expertly captures the power of the storm itself and the ironic, often catastrophic consequences of the unpredictable intersection of natural force and human choice."
Copyright 1999 Reed Business Information, Inc.

From Amazon.com: "Author Erik Larson imbues the incredible events surrounding the 1893 Chicago World's Fair with such drama that readers may find themselves checking the book's categorization to be sure that The Devil in the White City is not, in fact, a highly imaginative novel. Larson tells the stories of two men: Daniel H. Burnham, the architect responsible for the fair's construction, and H.H. Holmes, a serial killer masquerading as a charming doctor. Burnham's challenge was immense. In a short period of time, he was forced to overcome the death of his partner and numerous other obstacles to construct the famous "White City" around which the fair was built. His efforts to complete the project, and the fair's incredible success, are skillfully related along with entertaining appearances by such notables as Buffalo Bill Cody, Susan B. Anthony, and Thomas Edison. The activities of the sinister Dr. Holmes, who is believed to be responsible for scores of murders around the time of the fair, are equally remarkable. He devised and erected the World's Fair Hotel, complete with crematorium and gas chamber, near the fairgrounds and used the event as well as his own charismatic personality to lure victims. Combining the stories of an architect and a killer in one book, mostly in alternating chapters, seems like an odd choice but it works. The magical appeal and horrifying dark side of 19th-century Chicago are both revealed through Larson's skillful writing." --John Moe

From Publisher's Weekly: "Reviewed by James L. SwansonIn this splendid, beautifully written followup to his blockbuster thriller, Devil in the White City, Erik Larson again unites the dual stories of two disparate men, one a genius and the other a killer. The genius is Guglielmo Marconi, inventor of wireless communication. The murderer is the notorious Englishman Dr. H.H. Crippen. Scientists had dreamed for centuries of capturing the power of lightning and sending electrical currents through the ether. Yes, the great cable strung across the floor of the Atlantic Ocean could send messages thousands of miles, but the holy grail was a device that could send wireless messages anywhere in the world. Late in the 19th century, Europe's most brilliant theoretical scientists raced to unlock the secret of wireless communication.Guglielmo Marconi, impatient, brash, relentless and in his early 20s, achieved the astonishing breakthrough in September 1895. His English detractors were incredulous. He was a foreigner and, even worse, an Italian! Marconi himself admitted that he was not a great scientist or theorist. Instead, he exemplified the Edisonian model of tedious, endless trial and error.Despite Marconi's achievements, it took a sensational murder to bring unprecedented worldwide attention to his invention. Dr. Hawley Harvey Crippen, a proper, unattractive little man with bulging, bespectacled eyes, possessed an impassioned, love-starved heart. An alchemist and peddler of preposterous patent medicines, he killed his wife, a woman Larson portrays lavishly as a gold-digging, selfish, stage-struck, flirtatious, inattentive, unfaithful clotheshorse. The hapless Crippen endured it all until he found the sympathetic Other Woman and true love. The "North London Cellar Murder" so captured the popular imagination in 1910 that people wrote plays and composed sheet music about it. It wasn't just what Crippen did, but how. How did he obtain the poison crystals, skin her and dispose of all those bones so neatly? The manhunt climaxed with a fantastic sea chase from Europe to Canada, not just by a pursuing vessel but also by invisible waves racing lightning-fast above the ocean. It seemed that all the world knew—except for the doctor and his lover, the prey of dozens of frenetic Marconi wireless transmissions. In addition to writing stylish portraits of all of his main characters, Larson populates his narrative with an irresistible supporting cast. He remains a master of the fact-filled vignette and humorous aside that propel the story forward. Thunderstruck triumphantly resurrects the spirit of another age, when one man's public genius linked the world, while another's private turmoil made him a symbol of the end of "the great hush" and the first victim of a new era when instant communication, now inescapable, conquered the world."

From Amazon.com: "In the Garden of Beasts is a vivid portrait of Berlin during the first years of Hitler’s reign, brought to life through the stories of two people: William E. Dodd, who in 1933 became America’s first ambassador to Hitler’s regime, and his scandalously carefree daughter, Martha. Ambassador Dodd, an unassuming and scholarly man, is an odd fit among the extravagance of the Nazi elite. His frugality annoys his fellow Americans in the State Department and Dodd’s growing misgivings about Hitler’s ambitions fall on deaf ears among his peers, who are content to “give Hitler everything he wants.” Martha, on the other hand, is mesmerized by the glamorous parties and the high-minded conversation of Berlin’s salon society—and flings herself headlong into numerous affairs with the city’s elite, most notably the head of the Gestapo and a Soviet spy. Both become players in the exhilarating (and terrifying) story of Hitler’s obsession for absolute power, which culminates in the events of one murderous night, later known as “the Night of Long Knives.” The rise of Nazi Germany is a well-chronicled time in history, which makes In the Garden of Beasts all the more remarkable. Erik Larson has crafted a gripping, deeply-intimate narrative with a climax that reads like the best political thriller, where we are stunned with each turn of the page, even though we already know the outcome." --Shane Hansanuwat

From Amazon.com: "On May 1st, 1915 the Lusitania set sail on its final voyage. That it was sunk by a German U-boat will be news to few—and Larson’s challenge is to craft a historical narrative leading up to the thrilling, if known, conclusion, building anticipation in his readers along the way. To his credit, he makes the task look easy. Focusing on the politics of WWI, on nautical craftsmanship and strategy, and on key players in the eventual attack and sinking of the “fast, comfortable, and beloved” Lusitania, Larson once again illustrates his gift for seducing us with history and giving it a human face. Dead Wake puts readers right aboard the famous Cunard liner and keeps them turning the pages until the book’s final, breathless encounter." – Chris Schluep

From the book jacket: 'On Winston Churchill’s first day as prime minister, Adolf Hitler invaded Holland and Belgium. Poland and Czechoslovakia had already fallen, and the Dunkirk evacuation was just two weeks away. For the next twelve months, Hitler would wage a relentless bombing campaign, killing 45,000 Britons. It was up to Churchill to hold his country together and persuade President Franklin Roosevelt that Britain was a worthy ally—and willing to fight to the end.

In The Splendid and the Vile, Erik Larson shows, in cinematic detail, how Churchill taught the British people “the art of being fearless.” It is a story of political brinkmanship, but it’s also an intimate domestic drama, set against the backdrop of Churchill’s prime-ministerial country home, Chequers; his wartime retreat, Ditchley, where he and his entourage go when the moon is brightest and the bombing threat is highest; and of course 10 Downing Street in London. Drawing on diaries, original archival documents, and once-secret intelligence reports—some released only recently—Larson provides a new lens on London’s darkest year through the day-to-day experience of Churchill and his family: his wife, Clementine; their youngest daughter, Mary, who chafes against her parents’ wartime protectiveness; their son, Randolph, and his beautiful, unhappy wife, Pamela; Pamela’s illicit lover, a dashing American emissary; and the advisers in Churchill’s “Secret Circle,” to whom he turns in the hardest moments.'

From Amazon.com: 'On November 6, 1860, Abraham Lincoln became the fluky victor in a tight race for president. The country was bitterly at odds; Southern extremists were moving ever closer to destroying the Union, with one state after another seceding and Lincoln powerless to stop them. Slavery fueled the conflict, but somehow the passions of North and South came to focus on a lonely federal fortress in Charleston Harbor: Fort Sumter.

Master storyteller Erik Larson offers a gripping account of the chaotic months between Lincoln’s election and the Confederacy’s shelling of Sumter—a period marked by tragic errors and miscommunications, enflamed egos and craven ambitions, personal tragedies and betrayals. Lincoln himself wrote that the trials of these five months were “so great that, could I have anticipated them, I would not have believed it possible to survive them.”